How does ‘funny’ work?
Let’s look at few cartoons to begin with.
Then let’s look at a comedian in full flow.
Then let’s look at a video.
And we’ll do the impossible.
We won’t just analyse ‘funny.’
We’ll replicate funny. We as in you and I.
Yes, both of us.
You’re ready?
Let’s start out with the cartoons
Is this funny?
Sure it is. So why are you suddenly so amused?
A guy with bandages isn’t funny. A guy on a snowboard isn’t funny.
And yet, a guy on a snowboard with bandages is funny.
It’s the disconnection that makes things funny
Or creative.
Or whatever you want to call it.
Example 1:
So if we look at an air-hostess serving muffins and coffee on a flight, it’s not funny.
But an air-hostess serving muffins and coffee on a canoe is funny.
Example 2:
A man saying to another man: “I’d like to be a prince, but I hate paparazzi ” is not funny.
A frog saying to another frog: “I’d like to be a prince, but I hate paparazzi” is funny.
But notice what’s happening?
It’s not just the disconnection at work, is it?
No it’s not. If you don’t know what an air-hostess does, or can’t refer back to the story of the Frog Prince, then there’s no joke at all. Then it’s just a string of words, and a well-drawn picture.
The core of what comedians use is a complete disconnection
But if you go up to a comedian and ask him/her: “Do you use disconnection?,” they may not know what to answer? They don’t know what to answer, because they haven’t analysed what’s happening. And right now, we’re in analysis mode.
So let’s head over to see how comedians use disconnections, shall we?
Let’s look at this clip by Jon Stewart, on Comedy Central.
Feel free to see the entire clip, but note than in about a minute and thirty-five seconds you’ve laughed twice or thrice already.
(Note that if you go past a minute and thirty-nine seconds, it stops being funny).
So watch the clip, and then let’s do the analysis.
The Daily Show With Jon Stewart | Mon – Thurs 11p / 10c | |||
Pervez Musharraf Pt. 1 | ||||
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So what was funny?
Tea? There’s a president of a country sitting on your show, and you bring out tea? Oooh, nice disconnect.
For exactly thirty-eight seconds in the video, you watched the video seriously.
Then the tea came out. So did your smile. 🙂
Then a whole bunch of disconnects crop up. Till the Osama Bin Laden joke.
Now imagine if Jon Stewart had asked that Osama Bin Laden question about ten minutes into a serious discussion.
Would you have laughed?
Maybe. Maybe not.
What made the joke hilarious was that Jon asks the question right in the middle of the first sip of tea.
Now that’s funny.
And of course, let’s look at a video
This video cracks me up every time I see it. And by now you can tell what’s really happening in the video. And why it’s funny.
But let me not spoil it for you. Watch the video first. (NOTE: It has some “adult” language and “swear words” so yeah, if you’ve got kids around, you may want to watch this one with the headphones on, or later when they’re not around).
And what was funny?
Sure it’s the disconnect.Why would Darth go to the canteen?
Why would the canteen guy associate Darth with his boss?
Why does Darth get hassled for an autograph?
At each of those specific points you laughed.
But what’s funny about someone going to a canteen?
What’s funny with someone mistaking you for their boss?
What’s funny about getting hassled for an autograph?
It’s not funny at all.
Except if Darth Vader is involved.
The whole craziness of the situation is what makes things funny.
The disconnection is what causes the laughs.
You want to create laughs?
Take a perfectly ordinary situation. And create a disconnection.
Of course, you won’t make anyone laugh.
Your jokes may not appear funny at all.
And there’s a reason.
You’ve just started to train your neurons to dance in a new way. You’ve just started to teach your neurons to look for a disconnect.
And when you first start to dance (even if you’re a neuron) you look a bit nervous and ungainly.
But if you keep at seeking out and putting disconnections together, you’ll strike up a neuron string of bulbs.
Then you’ll do what every cartoonist does.
What every comedian does.
What every funny video does.
You’ll simply put two disconnected objects or situations together, using your vast database of learning and memory.
And create laughs.
So remember I told you that we (yes, both of us) could create funny cartoons or situations?
Well, we will. But not just yet. Because this post has taken enough of your ‘work time’ already 😉
So let’s wait for the next post, ok?
Yes, we’ll do the impossible. We’ll get you to be funny, even if you have no history of being funny. 🙂
Until next time…
Some funnny stuff – thank you. How do you define interactive “fake” realism like andy cauffman or these new guys like Borat or Klaus Pierre who you think are real. How do they create comedy/funny and how does that function?
Funny works the same way.
Borat singing a crazy anthem in the middle of a bunch of red-necks is what causes you to chuckle.
I’m not sure about the others, and Borat appeared almost too slapstick to me. If you could describe a situation, I’d be happy to deconstruct it for you.
Sean – have you read:
http://dilbertblog.typepad.com/the_dilbert_blog/2007/07/writing-funny.html
He’s saying similar stuff. 🙂
But he does give a lot of situations. My goal is not to just educate you, but to give you the ability to be able to come up with something funny yourself. 🙂
Hmm, I didn’t think the first video to be (very) funny. But the 2nd one, absolutely.
It’s not the video that’s funny. It’s the points where you laugh. And why you laugh. The video was mostly serious. But there are laughing points. Understanding why you laughed at those points is the key to decoding ‘what makes things funny.’
And then how you can replicate ‘funny’ and become ‘funny.’ Yup, it’s a science. Played back at high speed, it’s the same system that enables a two year old in China to learn Mandarin, and you to struggle at the same language.
Language is about ‘decoding’ and then replaying faster and faster. Till it becomes part of you. And talent is like language. Learning a talent is like learning a language at the end of the day. 🙂
Is it that funny to see Borat making fun of rednecks or attacking Pamela Anderson and getting arrested by the police? I like Klaus Pierre ’cause it shows the natural humor of international differences of cultures. Also, Klaus Pierre’s positive mind-set in all situations is appealing.
This is great!
I actually stumbled across this while looking up information for a comedy script project I’m working on. This idea alone has helped me immensely!
You might be interested in the relief theory on humor. It explores what is happening in the brain due to these disconnects.
Great article, thanks again!
The comedian in the second video is the amazing improvisational Eddie Izzard. Great example as he keeps riffing on the same few elements, taking them further and further.
Unfortunately the first video is blocked by The Daily Show for viewers in the UK – better to use examples on YouTube.
Hmm, that’s weird. Can see it here in NZ.
You’re welcome 😉