Why Some Children Become Exceptionally Talented

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Have you ever seen an seven-year old child playing the piano?
Then listen to the same eight-year old playing the piano.
And then that child struggles on to become a nine-year old playing the piano.
And then he moves on to ten.

And then suddenly at eleven, something magical happens
The clunky sound disappears from the playing.
Suddenly, there’s flow and rhythm.
And you sit up in awe, saying: “What a talented child.”

And you’d be wrong.
Because talent has little or nothing to do with it.
Ben Zander, celebrated conductor of orchestras, and trainer shows you exactly what’s happening from the age of seven, eight, to nine, then on to ten. And finally what happens when the child becomes eleven?

The teacher hasn’t changed.
The method of teaching hasn’t changed.
So what did change?

Why does the child begin to play like a dream?
It’s a factor of impulses, says Ben Zander.
When they first start playing, children put an impulse on every note.
When they continue playing, children then put an impulse on every second note.

And if they persist, they then put an impulse on every fourth note.
And by the time they’re ten (and four years into training), they put an impulse on every eight note.

And then it happens…
The eleven year old plays music that makes you sit back in awe.

But what’s really happening?
Layering. That’s what’s happening.
When we learn a language, we learn to recognise sound.
Then we learn a word. Or two.

Then we’re able to string a sentence.

Then we’re able to add grammar, and make the sentence grammatically correct.
Finally we have enough layering, to not exactly pay attention to every word.
Every impulse.

We speak languages.
We rarely turn to an eleven-year old and say: Oooh, you speak such fine English.
You must be soooo talented in English.
And yet, English is a difficult language to learn. But learn it we all do.

The point is: If we’d given up speaking in our first year, or second year, or third year, we’d lose the ability to learn  the language. The layering has to happen. Otherwise, we stop learning.

People consider talent to be innate.
But a core part of talent is mere layering.
One over the other, over the other.
And suddenly a child plays the piano with mastery.
We speak languages fluently.
And an ex-cartoonist (that’s me) starts talking about marketing and brain stuff.

We fail to become talented because we fail to layer.
We’re stuck at the basic impulses, instead of progressing onwards.
We’re just seven year olds hacking away at the piano.
That’s all we are!

Note: Look at this video (yes again). Because by the time you get to 2:30, you’ll see how Ben Zander explains the concept so eloquently. Yup, 2 minutes and thirty seconds should show you all you need to see. But watch the full video if you wish to, as well (I’ve watched it no less than eight times already) As you can see, I’m layering too 🙂

The Slap on The Forehead: Pattern Recognition at work

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We all believe that Einstein was talented.
He wasn’t.
He just hit his forehead a lot.

The Slap On The Forehead: What does it mean?
Einstein wasn’t talented. He developed pattern recognition. He worked out a pattern.

Once you see the clarity of the pattern, it’s like night and day. You’re not bumbling around in the dark. Suddenly everything seems easy. In fact, you wonder why everyone else doesn’t see it the same way. Why are they bumbling in the dark, you wonder.

Every ‘talented’ person has had this ‘aha-moment’ several times in their life. They are doing something—often something disconnected to their ability—and then it hits them. The pattern becomes super-clear.

And they hit their forehead.
That hitting of forehead is a moment when the brain recognises a pattern that others have failed to see. Any ‘talented’ person will tell you that the pattern has existed forever. And that they’ve just failed to see it. Of course, so have the others around them.

Because the ‘talented’ person is the first to see the pattern in this specific way, they are called ‘talented.’ But truly talented people know and recognise the forehead moment. They know it’s the moment that they finally recognise a new direction. Or to put it another way, another pattern.

You can do this while driving a car
Let’s say we wanted to go from my house to the city in peak traffic. No matter how bad the weather, I can get you to the city from my house about 40 cars ahead of anyone who sets out at the same time, from the same destination. It doesn’t mean that I’m talented at driving. It means that I’ve recognised a pattern.

I’ve worked out exactly the spots you need to change lanes. Yes, the exact spots. Changing lanes at those specific spots will get you about 40 cars ahead. Which is handy, when you’re in a hurry. But you know what? How do you get 600 cars ahead?

It’s called ‘taking the bus’.
The bus has its own freeway unhindered by traffic. It can get you to the city 600 cars ahead.
Now you don’t see that as a talent, do you? But it is? It’s the ability of the brain to recognise a pattern.

Pattern 1: Do what you’ve always done.
Pattern 2: Change lanes at specific points and get 40 cars ahead, every single time.
Pattern 3: Get on the bus, and get 600 cars ahead. Every single time.

This pattern recognition is what we call the forehead moment.

That duh sound you hear, is the new direction unfolding.

Once you work out the new direction, nothing is the same.
And other car drivers either follow you (like they did with Einstein)
Or they take the bus.
Or they call you talented, and do what they’ve always done 😉