Here’s an interesting story about ‘creativity’.
It’s so interesting that I’ll reproduce it verbatim.
What’s even better is that it’s about a painting.
And how the painting linked to article-writing?
You’re dying to know, huh? Well read on.
This note is from Catherine Marechal, who lives in Italy and whose first language is French.
Happy Birthday Sean!
I want to thank you and let you know of an unusual result of the article writing course. I have been painting a lot with my left hand. I always had difficulty just finding the time to paint. Now I just do it almost every morning and have no problem finding the time…. and my painting is very different from my right hand work!
What is the link with article writing?
As you know I had problems with keeping only one idea in my article outline. After a conversation with Leah, when I told her I thought my problem was because I was mostly right brain. She asked me if I was left handed. I said no, and that as a small kid I was ambidextrous but the French school system decided that I would be right handed. and I became right handed.
After talking with Leah, I decided to do my article outline handwriting with my left hand. In fact it worked, you said that you could not see any change to do in my article.
My friend Celeste Varley (the painter and teacher) who I have been encouraging to take your article writing course, suggested that I try to paint with my left hand rather than doing with both hands (but mostly my right hand was predominant) after I told her the story.
So here is my birthday gift, one of my left hand painting
Catherine
Incredible, huh?
That a mere shift of the hand not only made her article-writing a whole lot better, but that Catherine is now painting frequently, and with great confidence. And that is indeed the power of the brain when it decides to achieve things, rather than just back away and pretend that about a lack of ‘talent’.
See that bridge. That’s a ‘bridge of pain’ or ‘no-pain.’ Find out how your brain deals with creating permanent pain.
I play a lot of badminton these days.
And after running on the courts for two hours, I’m fine.
But the next day, my knees are sore.
I find it difficult to bend my knees. And have to use some sort of pain-relieving balm.
So I decided to use my brain as a balm instead
And drive resources from my brain to make sure my knees are not sore any more.
So all I did was focus on my knees not being sore.
And believe me, I’m no magician.
Incredibly, they’re not sore any more.
Now this sounds bizarre, doesn’t it?
Probably as bizarre as learning a new skill.
When you learn a new skill you’re in extreme pain.
And of course, you have all those naysayers saying, “You’re not talented.”
So there’s a lot more than mere extreme pain. There’s discouragement too.
But the brain can rise above all of this pain to create permanent success.
You see the brain works on the system of synapses and neurons (wait, don’t glaze over, because I’ll explain)
Think of neurons as two sides of a cliff.
Neuron 1 is one side of cliff.
Neuron 2 is the other side of the cliff.
There’s a wide, deep ravine in between those cliffs.
To cross over, you need a bridge
That bridge is the synapse bridge.
When we learn something new, the brain keeps building a bridge between the two cliffs.
All the time, as you go through your day, your brain is building new bridges.
The more you repeat a learning or action, the more the brain works on strengthening the bridge, because it recognises the bridge as important.
So you can create a bridge of pain.
And the brain will keep working on that bridge so that your synapse (bridge) is one one of pain.
Day after day. Week after week. Month after month.
Pain and more pain.
So that a once rickety bridge becomes a steel structure.
A structure that’s permanent, and can take on even more loads of pain.
Thus increasing your pain manifold.
Really talented people recognise the failure and the pain
But they rise above it forcing their brain to remember the joy and achievement.
The excuse-makers find a way to focus the brain on the pain and failure.
And the brain gives us exactly what we want. It creates a stronger bridge of pain or joy—depending on what you choose.
So do you want to fix muscular pain?
Or creative pain?
Get your brain to swing into action. And see how it fixes the so-called problem faster than you think.
How much is 3 + 3?
You know the answer already, don’t you?
That answer is embedded in your brain through a factor of repetition.
Time and time again, you were called on to remember random numbers.
Then you had to add them up, multiply them and eventually they formed a memory.
Your brain has a storage point for all these bits and pieces.
And talent works on memory. But depends far more on layering.
So if you were to listen to Clay Shirky on collaboration (see video below), you’d learn about collaboration in groups.
If you were to listen to Clay Shirky a second time, you’ll learn something quite different about collaboration in groups.
If you were to listen to Clay Shirky four or five times, you’ll learn something quite different every single time.
How do I know this?
Because I went for a walk to the beautiful Milford beach, near my home.
And during that one hour walk, I listened to the same audio five times over.
Each time my brain remembered something from the previous hearing, and layered a new learning over it.
The more I listened, the more I learned.
It wasn’t just repetition.
It was literally a bunch of new ideas that were popping in my brain with every repetition.
In effect, I was layering.
Then I took that layering, and added some more information.
I listened to Deborah Gordon and how ants use collaboration (see video below)
Then I spoke to my wife, Renuka about how collaboration could be used on our websites.
Then I brought up the concept of collaboration in a client call.
With every layer, my understanding of collaboration increased in leaps and bounds.
I now understood collaboration like never before.
What my brain is doing, is creating a whole bunch of amazing links.
Links that help me learn.
And get more talented in the understanding of collaboration.
Compare this with 3 + 3.
No matter how many ways you look at it, it’s still 6.
Which brings us back to the question of superiority. Which is more important? Layering or repetition?
Without a doubt, layering is what helps us become talented.
Memory merely helps us remember those layers.
Memory isn’t superior than layering. And neither is layering superior to memory.
Both are needed to learn and sustain a skill.
But if you really want to become a genius at something you can’t depend solely on memory.
Memory by itself is just a bunch of 3 + 3 situations.
Layering is what causes genius.
More on this later…now that I’m back thanks to a nudge from Stew Walton
For now, watch these fascinating videos on collaboration.
Imagine you listen to a song that you haven’t heard for twenty years.
And you know the tune, but the lyrics seem all jumbled in your brain.
So you play the song once.
Then once again.
By the third time, you’ll remember every word of the lyrics you knew twenty years ago.
So what happened there?
The same thing that happened to me when I went to play badminton.
I hadn’t played for well over twenty years.
The first day back was pure torture.
Both on the court, and off the court.
I was gasping for breath. My head was throbbing. I barely stumbled back to my car. And slept for the rest of the day just catching up on my energy.
Three days later I went back to play.
And something weird happened.
While I was struggling to get the shuttlecock across the net the first day, I was able to get it across a whole lot better the second time. And then I went a third time. And a fourth time. And by the fifth trip to courts, I was able to play eight games. Unlike the first time where I was struggling to reach the shuttlecock, I had no problem at all–sometimes I even had time.
So what’s so interesting about this story?
Here’s what’s interesting.
The five visits to the court weren’t back to back visits.
They were over three weeks.
And in those three weeks, I hadn’t done anything spectacular to bring about this massive change in my body.
I wasn’t exercising more. Wasn’t training more. This incredible change was happening in my brain.
Like some song from long ago, it was remembering the ‘lyrics.’
And letting me improve my game in massive incremental steps.
So that within five visits to the court my brain was remembering moves, and had the capacity to handle energy from twenty years ago. The lights were all switching on.
Your body too responds to long-lost memories
In fact, it’s not even fair to call them long-lost.
They’re more like long-buried. And re-discovered.
Which means that if you’ve been told you can do something exceedingly well, your brain reaches into the long-lost memory. And compares data. And then it does something short of exceedingly well. And then with little practice, it improves in leaps and bounds.
But the brain works the other way too
It can bring up failure-data. And the body then refuses to co-operate. And just like you remember the words of the song, you start to remember the words of failure.
Which makes it imperative to understand how layering and memories are linked.
And how we can get rid of stupid memories with the concept of layering.
And suddenly become far more talented than we thought possible.
Next post: How layering is almost more powerful than memory itself 🙂
